![]() ![]() As a consequence, the quality of the parallel third harmony-i.e. ![]() ![]() When parallel third harmonies are constructed, they are typically based rather strictly on the notes of whatever mode is in play. This type of harmony is an example of a dyad-an instance of two different pitches being played together-and the reason it is classified as parallel thirds is because the notes of the harmonic line are consistently played a third above the root melodic line. We often hear this in the guise of two guitars playing a melody or dual guitar solos (with one guitar playing in parallel thirds above the line of the other guitar), and we also hear this harmony being used within riffs (with the harmony being played within a single guitar part). One of the more common procedures found in metal music is harmonization in parallel thirds.
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